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Coda Connections
Columbia Band Fans' Newsletter Fall 2006
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Greetings!
Many thanks to those who provided feedback from the
summer edition of Coda Connections. As my
main goal is to improve communication between the
band and it's audience, please do speak up if you
have a suggestion, concern, or comment regarding
this publication. You can even submit your own
writing if you'd like! Thanks and enjoy!
- Len Morse, Editor
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Fall
News
Recap of last quarter:
Aside from intermittent drizzle at Lake Elkhorn,
concert conditions were good. The shows at Lurman
Amphitheatre and the Columbia Lakefront went
especially well.
What's coming up?
Our next performance is the annual "Young People's
Concert", for those whose age is approaching
double-digits.
Fall
Calendar - Concert Band
October:
Sunday, 10/15, 3:00P.M.,
Marriotts Ridge High School, Marriottsville
Sunday, 12/17, 3:00P.M.,
River Hill High School, Clarksville
Fall
Calendar - Jazz Band
Nothing 'till next January
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CD Review
"A Splash of Pops"
The Boston Pops Orchestra
Keith Lockhart, Conductor
Recorded May 1999
Columbia, MD - The Boston Pops can do no wrong. This
CD presents, in only 12 tracks, a vast array of
American patriotic music that easily calls up
excitement, reverence, and pride. My only qualm with
the sung tunes is that, as with most choruses backed
by a large instrumental ensemble, the words become
unintelligible when the orchestra grows loud.
Otherwise, the singing is very enjoyable.
The CD opens with The Star-Spangled Banner,
appropriately enough, then moves on to Liberty
Fanfare, by one of America's most prominent
composers, John Williams. Doodletown Fifers
(with real fifes!) paints a musical picture of why
we celebrate our freedom, as tunes of the civil war
are heard.
Invoking 60s nostalgia, Paul Simon's America
(the orchestral arrangement) may bring a tear to
those old enough to remember that time. One of the
featured pieces on the CD is With Voices
Raised, which combines the sung and the spoken
word, both imparting historical, thought-provoking
quotes on the ages-old fight for equality. Yet
another upbeat blast from the nation's past occurs
when Boogie Woogie Bugle Boy hits your ears.
This rousing version of the Andrew Sisters' hit,
featuring a wailing trumpet solo, will undoubtedly
increase your heartbeat and get your feet tapping.
America the Beautiful is sung with the utmost
feeling by the Tanglewood Festival Chorus and
soloist Denyce Graves. However, her warbling vibrato
is somewhat distracting, invoking images of a
Viennese opera singer taking cues from Mozart. If
it's a purely classical piece you're searching for,
the Pops pulls out all the stops for Tchaikovsky's
well-known 1812 Overture. Not only do they
perform with great precision and gusto, but one can
not help thrill at the cannons' blasts, brilliantly
symbolizing the fireworks that we Americans are so
fond of.
And what patriotic CD would be complete without at
least a couple of marches? E. E. Bagley's
National Emblem and J. P. Sousa's The
Stars and Stripes Forever (with its perfect
piccolo solo) provide the expected, yet still
exciting parade-like feeling.
The CD cover design catches your attention with
action photos, creating the light-hearted atmosphere
for your eye that the music creates for your ear.
Some tunes were not touched on in this review, but
they are played just as flawlessly as those
mentioned, and even if you don't think you'll like
every musical style represented in this CD, buy it
anyway. There's a reason that this group is
world-renowned.
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Kid "Space" & The Holidays
What a great Summer concert season the CCB has had!
It's always nice to play the "home town gig" at the
Columbia Lakefront, and what a treat it was to
return to the Lurman Woodland Amphitheatre in
Catonsville - a
gorgeous outdoor venue with a very enthusiastic
audience. As always, the band did a marvelous job
preparing these extended concert programs - no small
feat considering that we only rehearse one night
each week! A concert with eighteen selections is
extremely
taxing, both mentally and physically, and I
sometimes feel like I have the easiest job; my hat
truly goes off to all of the members of this
ensemble. I am also very pleased with the variety
of music that we learned and presented - from a
transcription of Gabrielli's 1597 "Canzona" and some
'pop' medleys to the beautiful "Hometown" (written
for our colleagues in the Bel Air Band) and some
"Silent Movie Music". As always, we performed some
contemporary wind band music as well, including
another work by Brian Balmages, with whom we share a
special relationship that I truly treasure. Another
piece that I enjoyed performing (several times) was
"The Takoka Galop," which got faster and faster
until finally "maxing out" at 1 minute, 32 seconds!
The Fall/Winter season is always hectic for us, as
we prepare for our Children's Concert and formal
Winter Concert at the same time. We're going with a
"space" theme for the kiddies this year, and the
December
program will feature some more great works,
including a very clever arrangement of "In Dulci
Jubilo," and Fank Ticheli's "Cajun Folk Songs".
We'll also be revisiting the work of a very talented
young composer, Eric Whitacre, with his haunting
"Lux Aurumque" - what
interesting sounds he pulls from the wind band!
We'll be closing the program with Leroy Anderson's
holiday favorite, "Christmas Festival", which is
always fun to play and hear. As we look ahead to
the Spring of 2007, we'll be using the extended
rehearsal period to return to some more difficult
repertoire, perhaps some music by
Percy Grainger, David Holsinger and...Paul Simon?
The Columbia Concert Band is a very special group of
people who, I believe, play an equally special role
in the
community. I am honored to be conducting the
ensemble, and always enjoy having the "best seat
in the band". Please come out to support us and to
support FREE live music in our area. As I always
say, performing is a lot more fun when there are
folks out there listening! Thank you!
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Quarterly Word: "Slava" - Russian word
meaning "Glory"; Nickname of Mstislav Rostropovich;
Overture written by Leonard Bernstein as an opening
piece for Rostropovich's inaugural concert as Music
Director of the NSO. The world premier was performed
on October 11, 1977 under Rostropovich's baton at
the Kennedy Center in Washington D.C.
Quarterly Quote: "Opera is when a guy gets
stabbed in the back and, instead of bleeding, he
sings." -- Ed Gardner
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Elected Executive
Board
Director - Mike Blackman
President - Jodi Shochet
Vice President - Len Morse
Secretary - Suzanne Hassell
Treasurer - Beth Jubinski
Publicity Chair - Riley McDonald
Fundraising Chair - Jenn Ambrosiano
Equipment Manager - Scott Lipcon
Members-at-Large - Jeanette
Donald, Tanya Hoegh-Allan
Appointees and
Volunteers
Librarian - Marilyn Kelsey
Curator - Fred Shermer
Historian - Melinda Frisch
Uniforms - Bill DeVuono
Webmaster - Suzanne Hassell
Columbia Jazz Band Director - Pete
Barenbregge
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